Ruizing Basic Shirt

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Fabric Material:

• 100% Certified Organic Cotton ring-spun jersey
• Light fabric (5.3 oz/yd² (180 g/m²))
• Runs true to size

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It takes 1-3 days to fulfill an order, after which it’s shipped out. The shipping time depends on your location, but can be estimated as follows: USA: 2-7 business days International: 10-20 business days.

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Not only the products are shown in the selection, but we also offer other products with this design. Below is a list of products available, Please contact us if you do not see this product in our product options. We will contact you within 12 hours And you will have the product according to your requirements

• Classic Men's Shirt
• Classic Women's Shirt
• Women's The Boyfriend Tee
• Women's Heather Wicking Tee
• Women's Scoop Neck T-shirt
• Women's Slouchy top
• Women's Organic Tee
• Men's Short Sleeve Tee
• Unisex Jersey Short Sleeve Tee
• Men's Cotton Crew Tee
• Unisex Ultra Cotton Tee
• Men's Heather Dri-Fit Tee
• Men's Polo Shirt
• Men's Jersey Polo Shirt
• Unisex Ringer Tee
• Men's Lightweight Fashion Tee
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• Unisex Jersey Short Sleeve V-Neck Tee
• Women V-Neck
• Women's Jersey Short Sleeve Deep V-Neck Tee
• Unisex Hoodie
• Unisex Heavy Blend™ Full-Zip Hooded Sweatshirt
• Men's Lightweight Zip Hooded Sweatshirt
• Unisex French Terry Zip Hoodie
• AOP Unisex Zip Hoodie
• Unisex Longsleeve
• Unisex Jersey Long Sleeve Tee
• Unisex 3/4 Sleeve Baseball Tee
• Unisex Tri-Blend 3/4 Raglan Tee
• Men's Varsity Jacket
• Youth T-shirt
• Sweatshirt Unisex
• Tank Top
• Men's Sleeveless Performance Tee
• Women's Cut & Sew Racerback Dress
• Women's Pencil Skirt
• Women's Cut & Sew Casual Leggings
• Women's Sponge Fleece Wide Neck Sweatshirt
• Kids Regular Fit Tee
• Infant Long Sleeve Bodysuit
• Mug $22.99
• Phone Case
• Bags
• Unisex Flip-Flops

Available Size: XS, S, M, L, XL, 2XL, 3XL, 4XL, 5XL Available Color: Black, Cardinal Red, Forest Green, Gold, Navy, Royal, Sport Grey, White…

STORAGE INSTRUCTIONS:

Do not use detergent containing chlorine, Do not use detergent, Drying, normal temperature, low heat. Regular ironing can be done by steam or dry ironing, and ironing cannot be more than 110 degrees Celsius. Delivery Your order will be printed exclusively for you within a few days. If you are in the US, Canada or Europe, you will receive your order within 3-7 business days after printing is complete. For all other countries, please allow between 10-14 business days. And you wanna design your own shirt by yourself for your team, your group or your family, you can sent us your design to email address [email protected].. We will make it for you. This shirt the official design from  Teefefe.com. Available for T-shirt, hoodie, tank top, long sleeve, sweater, youth tee, onesie for men and women. Have a nice day!

Production: 2–3 business days. Standard shipping: 5–10 business days in the US, 7–15 business days worldwide, tracked all the way.

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Beginning in April, Palestinian-Australian photographer Sarah Bahbah began releasing a series of photos on her Instagram feed. The photos were sensuous and a little gauzy—like stills from a modern soap opera, filtered through a peach-colored screen. A woman, 13 Reasons Why star Alisha Boe, and a man, romcom sensation Noah Centineo, seemed to be enmeshed in an epic romance that played out on twilit beaches, on lushly planted patios, and in frothy jacuzzis. The whole thing was clearly staged, and yet it felt intimate and raw. “I don’t feel like a woman who deserves roses right now,” read one caption; “you don’t get the Ruizing Basic Shirt also I will do this luxury of knowing what I’m thinking anymore,” read another.View on InstagramThe series, titled Fool Me Twice was inspired by actual events in Bahbah’s life. Last year, her connection with a partner had come to an end after she realized that her own desires for intimacy and closeness weren’t being matched by her partner’s. “When I’m working on a series, I’m usually processing my experiences and my trauma at the same time,” she explains. She came up with the idea for the series while grieving the end of this relationship, and tapped into her newfound knowledge of attachment theory, an idea popularized by British psychologist John Bowlby, that posits that the attachment styles we form early in life influence our behavior and future relationships. “When I feel my partner withdrawing,” says Bahbah, “my anxious attachment style is activated. With Fool Me Twice, I wanted to be able to execute a story which clearly showed my experience being the anxious person.”View on InstagramBahbah’s exploration of the complex relationship between an anxious partner and an avoidant one resulted in these colorful images, with Boe’s character embodying the anxious attachment style and Centineo’s character embodying the avoidant partner. In the first image in the series, Boe’s character kisses Centineo’s through a facemask. Her guard is up, says Bahbah, but she hopes “the fleeting love in front of her grows into something deeper.” As the series progresses, he eventually makes her feel safe enough to reveal her vulnerable side. Despite their growing connection, the anxious partner faces rejection. As therapist Nedra Glover Tawwab explains in a story published in conjunction with the project on WePresent, WeTransfer’s editorial platform, the series reflects how “people with avoidant attachment … tend to keep people at a distance to keep themselves safe.”“The inner dialogue and the subtitles that appear on the photos are mostly from the anxious attached partner’s point of view,” says Bahbah. “In some cases you’ll observe that the avoidant responds, but it’s mostly Boe’s character speaking.” The dialogue, however, is intended to be subjective; “people can read it based on their own experiences,” she says.View on InstagramThe precariousness of intimacy has always been the focus of Bahbah’s work. In the short film she directed for Kygo and Tina Turner’s cover of What’s Love Got To Do With It?, actors Charles Michael Davis and Laura Harrier play a couple who appear to have a strong and playful relationship, while in reality, they lack a deep emotional connection. While she was in college, Bahbah attended a blues music festival with an old crush, and gravitated toward private scenes between individuals who attended the shows. “I was looking for very special moments between the festival goers or the musicians,” she says. One of her first series, The Wild Ones (2014) featured intimate shots of couples at different festivals.As with her previous series, photos from ‘Fool Me Twice’ are released daily for an entire month, with the mysterious elements of the project becoming more resolved by the day as the narrative arc comes into focus. (The story and series concludes this week.) In the comments section of her Instagram, many fans express how much they relate to the series. “I try to give voice to the things we think but often don’t feel comfortable enough to say,” Bahbah tells me. “People connect to the series because these are also things that they might have experienced or relate to, and they haven’t been able to give voice to what they wish they did.”The relatability of Bahbah’s work is also connected to her decision to release her photo series exclusively on Instagram—and to sell her images there as well. “I create art to tell a story and not just to make money,” she says. “If so many people connect with my art, why should I make it only available to a small percentage of people?” Last year, she gave buyers the choice to pay whatever they could afford for her prints, rather than setting a price. Remarkably, this model hasn’t affected her success. “I still get approached by galleries often, and my usual collectors also celebrate and collect my originals,” she tells me. “I haven’t seen a significant dip in who collects my art and who doesn’t.” For her latest series, she also made limited edition prints available on her website, which are currently sold out.View on InstagramWith over a million followers on Instagram, Bahbah has attracted a community of enthusiasts who express their wish to connect with her personally. “Last year, I put up a phone number on my website through which people could contact me, and developed a community via text which allowed for deeper conversations,” she says. She also stays in touch with those who reach out by sending messages to them collectively. “As much as I wish I could stay on top of all of it, I feel like I would never get anything done.”Bahbah is currently working on a coffee table book and also making plans to move to film and TV soon. “I often consider turning my series into movies,” she says. “I experience life and process new things every day, and I still have so much of my story to tell.”View on Instagram’Fool me Twice’ by Sarah Bahbah is a new photography series supported by WePresent, WeTransfer’s editorial platform. All photos courtesy of  Sarah Bahbah/WePresent by WeTransfer.

Ruizing Basic Shirt, hoodie, tank top, sweater and long sleeve t-shirt

In a new commission from the Ruizing Basic Shirt also I will do this artist and architect Maya Lin, the wide, flat lawns of Madison Square Park have been transformed into a forest of cedars, tall and stately. It’s an incredibly striking display—a dramatic disruption of the urban landscape that rather forcibly reminds one of what all this once was: dense and sprawling woodland where black bears, beavers, wolves, and other wildlife roamed. Yet these new trees aren’t nearly as numerous or robust as their predecessors; in fact, they’re only barely hanging on to life.Lin’s installation, Ghost Forest, takes its name from a real-world phenomenon in which large stands of trees are left dead or dying by environmental events like insect invasions or saltwater inundation (a problem only exacerbated by rising sea levels). The 49 Atlantic white cedars that appear in the park were culled from New Jersey’s Pine Barrens, where large swaths of coastal woodland have slowly succumbed to the latter; fifty trees had been the plan at the start, but by the time they arrived in New York City, one was deemed by inspectors too dead to be safe.“This is the first project in our program that has taken on the subject of climate change so directly and so fiercely,” says Brooke Kamin Rapaport, the deputy director and Martin Friedman chief curator of the Madison Square Park Conservancy, who has previously brought large-scale works by the likes of Arlene Shechet and Martin Puryear to the six-acre space. “There is intense power in an artist who uses materials directly from nature to create a work that defines a cataclysmic crisis of our time.”Maya Lin, Ghost Forest, 2021. Courtesy of the artist and Madison Square Park Conservancy.If the duration of Ghost Forest is unusual for Lin—only up through November 14, it marks a rare departure from her body of permanent works—its ideas are very much aligned with her long-term priorities, the most urgent among them being to help protect and restore natural habitats. Not only has she often used local, sustainable materials and drawn on local topographies in her commissions (most recently, the Neilson Library at Smith College and The Princeton Line at Princeton), but in 2012 she established the nonprofit What Is Missing?, an interactive, multi-platform initiative that gathers resources and remedies for reversing the earth’s biodiversity crisis.In the Madison Square Park project, she identified not only a major opportunity to cultivate further awareness around those issues, but also a chance to offer actionable solutions through coordinated public programming. From her earliest conversations with Rapaport, Lin wanted to work with trees. “I’m very site-specific,“ she says, “and for me, those trees that frame that oval in Madison Square Park became my frame, and actually became my conversation.” But it did take her a few years to reconcile the scale that she typically works on with the curtailed time frame. “I started thinking of a willow walk, where you could create something that people can walk through, because I also figured we could plant and then repurpose them somewhere else. That was in my head, and this would have been, like, 2017, maybe 2018,” she says. “And then as we started to really look into those trees, I realized that it would take three to five years.” Needless to say, that wasn’t going to work.Lin cycled through several more ideas for the space before she landed on the Ghost Forest concept; it happened when she was at home in southwestern Colorado, looking out the window. “She knew that the trees there were being ravaged by climate change,” Rapaport says, “and she thought, how could she bring a similar vision to New York City, and to the platform of a project in Madison Square Park?”Maya Lin, Ghost Forest preparatory sketch, 2019. Courtesy of the artist and Pace Gallery.Setting aside her monumental, undulating Wavefield at Storm King Art Center in New York; her imposing office space and research facility for the pharmaceutical company Novartis in Cambridge, Massachusetts; and her Queen Anne Square in Newport, Rhode Island, Lin is still perhaps best known for her memorials—that famous tribute to the Vietnam War dead in Washington, D.C.; another to the civil rights movement Montgomery, Alabama. Ghost Forest functions a bit like one itself, powerfully visualizing the environment’s mounting losses. The piece’s awesome spectacle sits right alongside a kind of menace. “Ghost Forest is visually stark, it’s emotionally meditative, but it’s also beautiful and haunting and looming and claustrophobic,” Rapaport says. “The monumentality of those majestic trees really diminishes the viewer.”“When things are this dire, I believe we have to get busy and we have to get very optimistic.”Yet Lin also sees the piece as a site for meaningful and sustained engagement, a place where people can get right up close to those “gentle giants” and really see them and their damage. “In the end, you have to have an immediate connection to the work,” she says of her oeuvre at large. “It tends to be rather intimate and very one-on-one.” In this case, each one of the trees has a personality, and rewards special attention.Maya Lin within Ghost Forest, 2021. Courtesy of the artist and Madison Square Park Conservancy.Throughout the process of sourcing and placing the cedars, Lin and her team have been tracking the size of their carbon footprint, with the goal of eventually offsetting their emissions. They will accomplish that, in part, through a city-wide planting project planned for this fall; Natural Areas Conservancy, Madison Square Park Conservancy, and Lin will lead a volunteer effort to put 1,000 trees and shrubs into the ground across the five boroughs. (Other programs conceived to coincide with the installation include “Ghost Forest Soundscape,” a work compiling the sounds of animals once common in Manhattan, and a public art symposium centered on how public art can address environmental concerns.)“We just want to teach people and give people hope that we could all make a difference,” Lin says. “Our individual consumer choices can make a difference. Helping groups that are out there in the fields can make the difference. When things are this dire, I believe we have to get busy and we have to get very optimistic.”