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In the I Hit Like A Girl Try To Keep Up T-Shirt Apart from…,I will love this opening pages of Gabriela Garcia’s new novel, Of Women and Salt, María Isabel is the sole female roller at a cigar factory in Camagüey, Cuba. It is 1886 and the island colony is on the brink of war with Spain, but María Isabel’s mind drifts “far past the sugarcane fields and sea salt–washed plantations to the hazy shores of France,” as she listens to a reading of Les Misérables. “She thought of herself,” Garcia writes. “Of what it would be like if someone wrote a book about her. Someone like her wrote a book.”The line struck my heart as a woman of Cuban descent. It made me think of Garcia herself, the Miami-bred daughter of a Cuban mother and a Mexican father who began writing snippets of Of Women and Salt while working as a migrant rights organizer at family detention centers in Texas in 2014. Visiting Cuba and seeing Victor Hugo’s real-life 19th-century letters to Cuban workers in a museum exhibit also lit sparks. “Women of Cuba, I hear your cries,” Garcia quotes Hugo in the novel. “Who are we, weakness? No, we are force.” This becomes a meditation for María Isabel, who scrawls it in the margins of what turns out to be an heirloom copy of Les Mis. Her great-great granddaughter, Jeanette, battling addiction and other demons in contemporary Miami, later makes her own addendum: “We are more than we think we are.”What does it look like when someone like Garcia writes a book? Of Women and Salt defies convention and sentimentality and chips away at all manner of myths. “There’s not an ‘immigrant experience,’” Garcia told me by phone. “There are many different experiences based on things like race and class.” It is political—in addition to María Isabel’s matrilineal family tree, Of Women and Salt also follows Gloria and Ana, a mother and daughter from El Salvador fighting for their place in the United States, even though the country, as Gloria describes it, “had always held you at arm’s length like an ugly reflection.” But it stops short of fancying itself a vehicle for real-life resistance.Garcia has written a defining novel exploring the U.S.’s Latinx immigration crisis (it’s “everything American Dirt wasn’t,” according to The Los Angeles Times), but she’s remarkably un-self-aware about it. “All writing is political,” Garcia says. “I push back on the idea that you can read something and feel empathy and that sparks political change. Political change is so much about systems of power.” In one chapter, Gloria is in detention in 2014. But it is meant to serve less as a pointed reminder that mass deportations happened in the Obama administration, Garcia says, than to underline the fact that this was always happening. “Under Trump it became a national conversation, but all of it was happening before,” she says, “and it’s still happening now.”Of Women and Salt reads like poetry, because Garcia is also a poet. “I started a lot of chapters with a specific image in mind, like a panther at someone’s house or a body washing ashore,” she tells me. It is nonlinear and bucks the constraints of traditional Western story structure. “I like having white space,” Garcia says, “where questions could live in a space of unknowing.” Of Women and Salt spans generations and homelands, and feels like a sprawling saga, but at an admirably restrained 204 pages, it can be read in a matter of hours.“The idea that all minoritized people will just automatically find solidarity is flawed.”Garcia is equally boundary pushing when it comes to prescriptive notions of the Latinx community—or lack of community. “The label ‘Latinx’ just exists here in the U.S.,” she told me, noting that many people who immigrate here have never identified as broadly Latin American. “It’s sort of an imposed identity.” She knows firsthand, from within her own family, that Latinx people are not a monolith. “I definitely grew up very aware of the ways both of my parents were treated differently, certainly in terms of ease of immigration and also the political structures within Miami, and what kinds of immigrants were favored and which ones weren’t.” Coming from Cuba, her mother was granted asylum on arrival to the U.S., while it took her Mexican father years to gain citizenship. “Do you ever think about how Cubans get all this special treatment, like literally you step on U.S. ground and you have legal status,” Jeanette challenges her mother, Carmen, a Cuban immigrant, in Of Women and Salt. “Don’t you think it’s your responsibility to give a shit about other people?”How Cubans fit, or do not fit, among Latinx immigrants and even themselves, is a recurring thread. Some newscasters were surprised by the conservative Cuban voting bloc on Election Night 2020, but Garcia writes directly to them. Her character Carmen disagrees with “some of the other Cubans her age who said things like we’re not like them,” when discussing the Latinx migrants detained at the border. Garcia also addresses pervasive racism and colorism within the Latinx community with Carmen’s mother, Dolores, in present-day Cuba, brazenly saying to a neighbor: “You can’t trust Black men.” Jeanette nearly chokes on her cafecito, uncomfortable with her grandmother’s blatant racism. But nothing is simple. As Garcia writes, “It isn’t as though Black Cubans fare better in Miami, where racism is polite, quiet. This in fact: In Miami, Cuban is synonymous with white.”“I think the idea that all minoritized people will just automatically find solidarity is flawed,” Garcia says, even among Cubans of varying age and class: In the past, Cubans may have been allowed asylum, but with a shifting immigration policy, Cubans are now among those detained at the border.Garcia deftly dismantles so many myths about immigrant women and families. “Is that what you think?” Gloria snaps at her daughter, Ana. “That I’m supposed to sacrifice everything for you?” The fantasy of a romantic Communist Cuba, with classic cars lining the streets, is just that: a fantasy for American tourists. “They like to hear how hard it is,” Jeanette’s Cuban cousin says of selling souvenirs. Dolores, like some of my relatives, is happy with the system of governance. In one of Of Women and Salt’s most quietly potent moments, Maydelis accuses her cousin Jeanette of being unwilling to help her come to the States; Jeanette, a recovering addict who can scarcely support herself in Miami, has to stop herself from telling her cousin that Cuba, by comparison is, “not that bad.”Then there is the myth, for children of Cuban immigrants like Jeannette—and me—that a pilgrimage to the island would be a profound, life-altering experience, illuminating some unknown, buried piece of ourselves. “You feel this deep connection to a place that is and isn’t yours,” Garcia told me. After reading Of Women and Salt, I’m managing expectations. “I thought Cuba could be some kind of connective tissue,” Jeanette thinks during her first visit. “There is no Meaning here. Only questions.”

I Hit Like A Girl Try To Keep Up T-Shirt, hoodie, tank top, sweater and long sleeve t-shirt

Anyone who has glanced at the I Hit Like A Girl Try To Keep Up T-Shirt Apart from…,I will love this bestseller list lately already knows: We are in the midst of (yet another?) celebrity memoir boom. From Megan Rapinoe to Jessica Simpson, it seems like just about everyone is spilling their secrets via book deal; in other words,’tis the season for pages upon pages of Hollywood gossip, rock-and-roll road drama, and the darker sides of show business.At their best, celebrity memoirs provide unusually candid portraits of the “real person” behind the public persona—and don’t skimp on the dirty details. At worst, they can be ghostwritten fluff. Ahead, Vogue rounds up the best of the genre for your reading and holiday gifting purposes.Perhaps more of a memoir of brushes with celebrity than actual celebrity memoir, Tina Brown’s Vanity Fair Diaries is nonetheless a phenomenal read, for the journalism nerd or anyone else who is interested in the inner workings of glossy magazine-making in its hey dey. The book recounts the British editor’s years as the editor in chief of the storied magazine, the feathers she unapologetically ruffled in pursuit of a more lively publication (the rates she paid Martin Amis for a single story would make a 2020s editor swoon!), the glamor of the gig, the grind of being a working mother. Brown kept meticulous notes when she occupied this role, and it shows; this is a book in which the delicious dirt is in the details.—Chloe Schama, Vogue senior editorWhether you’re a fan of food, legacy media gossip, or writer Ruth Reichl herself, you’ll find plenty to dine out on in this account of Reichl’s time serving as the editor-in-chief of the now-defunct Gourmet magazine. Reichl freely admits that the glamorous world of New York publishing was a new one to her at the start of her Gourmet tenure, but I think it’s safe to say we could use a little more of her independence, irreverence and commitment to genuine creativity in the industry. (Bonus: her descriptions of meals are effortlessly mouth-watering, so make sure to eat with a delicious snack at the ready.)—Emma Specter, Vogue Culture WriterI went into Open Book expecting a light, fun read from one of my favorite reality stars (remember Newlyweds?) of all time—instead, I was blown away by an honest, funny, and touching memoir, which is so rarely the case with celebrity “tell-alls.” Simpson candidly discusses her recovery journey after years of struggling with drugs and alcohol abuse; she also examines the darker side of her early-fame days as a singer, when she was constantly—and at times, brutally—compared to her counterparts like Britney Spears or Christina Aguilera. It was my favorite book of 2020, and I recommend it to any pop culture fan, Simpson fans or not.—Christian Allaire, Vogue Fashion & Style WriterMindy Kaling holds a rarefied position in Hollywood these days, but the writer, actress and director’s bestselling 2011 memoir proves that her ascent to the top wasn’t always an easy one. In Is Everyone Hanging Out Without Me?, Kaling recounts her growth from the shy, bookish child of immigrants to off-Broadway sensation to the youngest writer on the staff of the hit NBC sitcom The Office; what’s most notable about the memoir, though, is the way Kaling’s singular voice shines through, lending even the wildest of L.A. tales a crucial degree of relatability.—Emma Specter, Vogue Culture WriterWe’ve all read (or carefully avoided) the triumphal sports-star memoir: The thousands of solitary hours spent in pursuit of excellence while stoically avoiding everything else, leading up to that magical breakthrough when everything was deemed to be Worth It. This isn’t that memoir: Agassi, arguably the best player of his generation and certainly the flashiest and most-visible, is remarkably frank here about how much he seemed to loathe the entire experience, which was foisted on him by a kind of ur-Tennis Dad. Thankfully, we also get the other side of that: A late- career resurgence, followed by a blissful second marriage and a philanthropic turn that’s both heartfelt and, for the underprivileged children it focuses on, life-changing. For the king of neon and acid-washed jeans who became even more famous for saying “image is everything,” this book is a tragic opera with a happy ending. —Corey Seymour, Vogue senior editorOlympic medalist and two-time Women’s World Cup champion Megan Rapinoe shows a whole new side of herself in this memoir, in which she recounts coming out as gay in 2011—well before “inclusivity in sports” was widely discussed, let alone prioritized—as well as her experience of taking a knee alongside former NFL player Colin Kaepernick to protest racial injustice and police brutality. For those who prefer their celebrity memoirs with a side of romance, Rapinoe also dishes on her courtship with now-wife, WNBA champion Sue Bird.—Emma Specter, Vogue Culture Writer“You might not think of Keith Richards as an elegant truth-teller, but his Life is a bracing tonic—straightforward but exciting, glamorous but heartfelt. I’m not a regular rock memoir reader, but this is a book that transcends whatever you might think the genre entails. Just go along with the music and don’t think too hard about it.” —Chloe Schama, Vogue senior editor“For months after reading this, I had to stop myself from thinking of Michelle as my friend. After spending a week (or, let’s be honest, an entire weekend under a blanket) reading a celebrity’s memoir, you feel as though you’ve spent time with them. It makes them more accessible and reminds you that at the end of the day, everyone is still human. I’m coming to grips with the fact that Michelle Obama is not actually my friend Michelle, but Becoming is still one of the best books I’ve read all year. —Grace Atwood, co-host of the Bad on Paper podcast and founder of TheStripe.com“If you haven’t read Fey’s 2011 memoir yet, you’re sleeping at the wheel. It follows her journey to stardom and is filled with amazing behind-the-scenes stories from her time on Saturday Night Live. Candid, self-deprecating, funny (duh): the perfect before-bed read.” —Christian Allaire, Vogue.com fashion and style writer“A pitch-perfect example of the genre, Philipps serves up a funny and unflinching look at being a woman in Hollywood. She dives into her days as a Barbie spokes-kid and, bravely, her abortion as a teen, before moving on to her best friendship with Michelle Williams, details of James Franco’s douchey-ness on Freaks and Geeks, and struggles in her marriage. The best celebrity memoirs are as unsparingly honest as Philipps’ is.” —Michelle Ruiz, Vogue.com contributing editor“The world rightfully knows Obama as a brilliant orator. But even before he was president (or even state senator), he wrote the hell out of this 1995 memoir (later re-released to great fanfare) about his upbringing in Hawaii and Kansas; his solitary, scholarly Columbia years; and his distant relationship with his dad. Now I spend my days waiting for his presidential memoir-in-the-works.” —Michelle Ruiz, Vogue.com contributing editor“The second female Letterman writer and creator of Sabrina the Teenage Witch, Scovell brings all the humor of Bossypants but with the added bite of coming up in the mighty sexist man’s world of TV. Scovell names names and calls it like she sees it.” —Michelle Ruiz, Vogue.com contributing editor“This memoir by the celebrity chef behind New York’s Baohaus inspired the ABC show of the same name—but the book version is far less fuzzy. Huang gives an unapologetically real look at his upbringing in a hardworking and often strict Chinese-American family. And his sumptuous descriptions of food make you really, really hungry.” —Michelle Ruiz, Vogue.com contributing editor“Not sure she’s a straight-up A-list celeb, but Phillips made the A-list celebs. The Hollywood producer’s story is so full of wild pleasures and OMG moments that it’s easy to overlook the sheer brilliance that’s on offer.” —Lauren Mechling, Vogue contributor and author of How Could She“Mizrahi is well-known as a man of many talents, so adding ‘writer’ to the list isn’t a stretch. Still, the quality of his memoir, I.M., is notable. He talks schmattas and sex with typical sass, but what makes this book memorable is that Mizrahi’s coming-of-age and coming-to-terms tale is bigger than fashion. —Laird Borelli-Persson, Vogue archive editor“The musical genius and creativity of Prince were cut short all too soon, but I’ve enjoyed celebrating his life by reading the memoir he began before his death. Part one takes us through his childhood into his storied career in his own words, and the rest of the book is a biography framed by editor Dan Piepenbring, who collaborated with Prince in his final months. The result is an incredible tribute to an icon.” —Abbe Wright, senior editor of Read It Forward”Parker’s 2015 memoir has really stayed with me. Written as a series of letters to men she’s encountered, imagined, or loved, it’s a formal experiment, a wonderful portrait of an established artist claiming new territory. She’s not really in the tell-all business, but what she’s written reveals plenty.” —Julia Felsenthal, Vogue contributor“Ellen pokes fun at everything about her life and finds the funny in everyday moments. It’s like talking to a good friend over coffee…who has a really wild, hilarious, and moving life story. It makes me smile just seeing it on my bookshelf.” —Zibby Owens, host of the Moms Don’t Have Time to Read Books podcast“As a fellow native New Yorker and NYC mom, Kargman’s dishing on ‘the city’ has always been hilarious and spot-on, even before her show Odd Mom Out came out. The essays in this book are so Jill: Honest, irreverent, slightly dark. full of curse words—yet imminently likable and, in fact, addictive.” —Zibby Owens, host of the Moms Don’t Have Time to Read Books podcast“The minute Wong’s Netflix comedy special Baby Cobra ended, I started it again from the beginning, and this book made me want to do the same. Written as letters to her daughters, she passes on wisdom about dating, family, her cultural upbringing, and being a mom in her raucous, delightfully absurd way. Wong is a national treasure.” —Abbe Wright, senior editor of Read it Forward.“I never thought that one of my favorite books of all time would have a cover featuring a lady in a G-string whose disembodied form we see dancing inside a whiskey bottle. But at least you’ve been warned: What you see is what you get in this group memoir from the glam metal band. The sheer magnitude of debauchery at their peak in the 1980s is too compelling to look away.” —Maris Kreizman, host of The Maris Review podcast“Sally Field took her sweet time with In Pieces, her first memoir, written over seven years without the assistance of a ghostwriter. To call Field’s writing vulnerable doesn’t give enough credit to the way she recounts with crippling honesty the highs and lows of her personal and professional lives. She’s always been beloved as a performer, but In Pieces shows there’s so much more to admire about Field than the trophies on her mantle.” —Keaton Bell, Condé Nast entertainment associate“The first of a planned two-part set (the second of which will be titled Fairy Tales), Horror Stories is less of a traditional memoir and more of a series of vignettes that tackle some of the “small indignities that we all suffer daily, the silent insults to our system, the callous gestures that we make toward one another.” Most of us won’t suffer the indignities of an anesthesiologist asking for our autograph during labor (we’re not all Gen X rock stars, after all), but we can wince at the, yes, horror, and relate to the rest of Phair’s not-so-tall tales.” —Danny Feekes, managing editor at Goodreads“When Noah was born under apartheid in South Africa, his parents’ interracial union was, literally, a crime, punishable by five years in prison. That’s just the beginning of The Daily Show host’s remarkable story. At turns harrowing and hilarious, it’s best consumed via audiobook, read by the author.” —Michelle Ruiz, Vogue.com contributing editor“Simon’s first book, Boys In The Trees, is what all celebrity memoirs should aspire to be, toggling between childhood struggles, musical stardom, and a highly publicized marriage to James Taylor with plenty of wit and revelations sprinkled throughout. Her latest, Touched by the Sun, is more scaled back, focusing on the iconic singer-songwriter’s unlikely but enduring friendship with Jacqueline Kennedy Onassis. Detailing the lunches, movie dates, and nights out on the town that the two women shared before Onassis’s death in 1994, Simon highlights the woman beneath the public persona.” —Keaton Bell, Condé Nast entertainment associate“It’s over 10 years later, and I’m still crushed by Sam Seaborne’s departure from The West Wing, so I couldn’t resist Lowe’s memoir. It’s packed with plenty of sordid stories from his wild days as part of the Brat Pack, but also has so many great behind-the-scenes memories from some of my favorite TV shows and movies. While it probably won’t win a Pulitzer, any fan of ’80s rom-coms will still find this delightful!” —Becca Freeman, co-host of the Bad on Paper podcast“Smith’s National Book Award–winning memoir is a portrait of a place and time—New York, Summer of Love—and a love letter to a bygone era that produced two iconoclasts: poet and musician Smith, and late photographer Robert Mapplethorpe. The story follows the duo’s trials and tribulations as they traverse Brooklyn, Coney Island, and Times Square, before settling at the infamous Chelsea Hotel. Smith has said that she didn’t write the book to be cathartic, but to fulfill a vow she made to Mapplethorpe on his deathbed. Ultimately, it’s the reader who reaps the rewards of that request.” —Danny Feekes, managing editor at Goodreads“If you’re a completist, start with Drew’s first memoir, the propulsive Little Girl Lost (out of print but easy to find secondhand), which she wrote when she was 14. It recounts a young Barrymore’s stratospheric rise and quick drug-fueled descent, while Wildflower finds an older, more assured Barrymore looking back at a larger-than-life existence, one in which she emancipated from her parents, forged out on her own, and paved her distinctive path. As Drew writes, “I wanted to rescue myself. And I did.” —Danny Feekes, managing editor at Goodreads“I’ve been reading this in fits and starts for about a decade, and I’ve still yet to encounter another life story so dutifully (and beautifully) re-examined. It’s easy to take Fonda’s cool self-assuredness—even in handcuffs!—for granted now, but before Firebrand Jane there was “plain Jane,” woefully uncomfortable in her skin and desperate for outside validation. To chart her path from then until now (and to think of all that’s still to come) is something I wouldn’t mind doing for another ten years.” —Marley Marius, Vogue features assistant“All three of Fisher’s memoirs reflect her trademark cool demeanor and self-deprecating nature, but her final release is my favorite. The beating heart of the book is the story of teenage Fisher’s secret three-month-long affair with Harrison Ford, then 33 and married with two kids. Fisher was hopelessly, naively in love with him, and Ford took advantage of the situation. You won’t find much behind-the-scenes Star Wars intel, but you will find an honest, painful account of Fisher’s experience as a young woman in love and at the mercy of so many patriarchal forces.” —Cristina Arreola, books journalist“This book of essays from the legendary actress covers everything from Hollywood to motherhood with her signature style and humor. She has a new book out in 2020, and I can’t wait to get my hands on it.” —Kate Childs, CAA Books Executive