I Get It, Girl – I’m Not The One Shirt

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The world just got another glimpse of Kristen Stewart as Diana, Princess of Wales—and a replica of her iconic engagement ring takes center frame.Production company Neon shared a picture of Stewart in costume for her new Pablo Larraín film, Spencer, on Instagram. In it, the I Get It, Girl – I’m Not The One Shirt What’s more,I will buy this actor wears a plaid coat, chunky ’80s-esque pearls, and a white turtleneck. Her hair is coiffed into Diana’s signature blonde cut, and her ring-clad hand is perfectly framed. “That sapphire,” the studio wrote in the caption.It appears Stewart is recreating a look that Diana wore in a 1989 visit to Portsmouth, England. Now, Spencer takes place in December 1993—during the weekend in Sandringham when Princess Diana officially decided to divorce Prince Charles—so it’s unclear whether the outfit is donned during a flashback scene or whether the costume designers just decided to dress Stewart in a similar throwback style. Regardless, it’s quite the historical homage.In February 2018, three months before Prince Harry married Meghan Markle in Windsor, England, John Oliver made an appearance on The Late Show With Stephen Colbert. “You must be really excited about the royal wedding,” Colbert said to Oliver. “No,” Oliver bluntly responded. “I would not blame her if she pulled out of this in the last minute. I don’t think you need to have just seen the pilot episode of The Crown to get a basic sense of she might be marrying into a family that could cause her some emotional complications.”Three years later, the clip went viral on social media. But not because it was funny—because it was chillingly prescient.“Who’s here after watching Meghan and Harry interview with Oprah,” reads a top comment. It has over 5,000 likes.When promos aired for the Duke and Duchess of Sussex’s first joint interview since leaving the royal family, it seemed like it could be a dishy tell-all. At least Twitter treated it as such: There were tweets about making popcorn or tea (because Harry and Meghan were about to spill, get it?). Some users even compared it to the Super Bowl.Yet those two hours took a dark and troubling turn. The duchess revealed that she—pregnant, isolated, and besieged by negative press reports—had suicidal thoughts. The duke’s father, Prince Charles, no longer took his calls. And perhaps the most damning: Before their son, Archie, was born, an unnamed person in the palace inquired how dark his skin would be. When all was said and done, #abolishthemonarchy was trending.The queen soon put out a 61-word statement. “The whole family is saddened to learn the full extent of how challenging the last few years have been for Harry and Meghan. The issues raised, particularly that of race, are concerning. While some recollections may vary, they are taken very seriously and will be addressed by the family privately,” it read. “Harry, Meghan and Archie will always be much-loved family members.” A day later, a reporter asked Prince William if they were a racist family. “We’re very much not a racist family,” he replied back. This did not go over well on the internet, which quickly pointed out that, for a century, this family was the very image of imperialism.The House of Windsor is no stranger to scandal. In fact, they’re frequently engulfed in it. But this time feels different. Whereas so many other incidents centered around moral failings of individuals, the sad saga of Harry and Meghan resonates with many as a failing of an institution—one that not only failed to protect a beloved son and his bride from bigotry and bias but may have even perpetuated the problem. And that’s a big difference: Dickie Arbiter, a former palace press secretary, told Vogue that while Princess Diana’s 1995 interview with the BBC was certainly a bombshell, Harry and Meghan’s was more of an earthquake. “[Diana’s] was all about her relationship with her husband, the state of the marriage,” he said. “It wasn’t attacking the monarchy.”At 1,200 years old, the British monarchy is one of the oldest living institutions on earth. As empires crumbled, monarchs were overthrown, and princes rendered pretenders, against all odds this bloodline still remains on its gilded thrones.The very bones that keep Buckingham Palace intact are rigid and ancient, derived from laws, acts, and edicts stemming from 1215’s Magna Carta. Over centuries, a firm yet fragile balance of power has been hammered out between the monarch and parliament. The legacy of royals who tried—and failed—to assert their own agenda over them looms large: In the 1640s, after Charles I attempted to assume absolute power, the English parliament chopped off his head. So it’s the sacrosanct commitment to structure, and their rigid responsibility to not rock the boat, that’s kept these royals afloat for a millennium.“One of the reasons that the House of Windsor has survived when a lot of European households have fallen is because they (a) have this ruthless survival instinct and (b) it’s precisely because nothing’s really changed,” says royal historian and biographer Anna Pasternak. “They haven’t adapted.”But the question is: Do they need to?Britain—as with so much of the world, including America—is at a crossroads. “Are they outward looking and multicultural? Or is this a more closed, inward-looking place that is more reluctant to engage?” asks Arianne Chernock, a Boston University professor who specializes in modern British history. “I think that the monarchy could have used Meghan to help advance that more inclusive vision, to say: ‘We are a place that’s all about fusion.’”But to many, they didn’t just miss that opportunity. They blew it.The majority of the United Kingdom’s younger generation feels for Harry and Meghan. According to YouGov, 61% of 18- to 24-year-olds believe the couple was treated unfairly by the royal family. Meanwhile, for those over 65, that shrinks to 15%.“The younger generation is just constantly questioning, ‘Is this what represents our country? Does this fit anymore?’” says Omid Scobie, coauthor of Finding Freedom, a book about Prince Harry and Meghan’s departure from the royal family, and ABC’s royal correspondent.In the choice between speaking your truth in the California sunshine and a stiff upper lip in rainy ol’ England, Gen Z went with the former.So that royal mantra of “never explain, never complain” may be outdated. “We want our public figures to be transparent, candid, open, and honest. The mystery of the royal family that made them so compelling in the past is now working against them because this very serious allegation has been made,” says Scobie. “The fact that they’re not speaking, or addressing it properly, only contributes to additional damage to their reputation.”“You can’t just hope that it goes away,” he adds.Before I settled in to watch Oprah’s Sunday-night interview with the Duke and Duchess of Sussex three nights ago, I had intended to write a story about her subjects’ style choices for the interview. Straddling the ocean as I have the past year, half the time at home in Manhattan, half the time in the English countryside, I have found myself torn between two very different readings of this extraordinary couple: in America, a version of Meghan Markle as a self-actualized style maven with a female-empowerment platform who seemed to have brought her unhappy prince and his demons to a happy place. In Britain, a sense that she was a wily, shrewish manipulator (“Hurricane Meghan”) who snared her well-meaning but unwary prince; was dazzled by the idea of the job but discovered too late its dreary restrictive realities and its focus on blindly unquestioning obedience and embrace of duty; and stole him away to a distant land of self-love, self-realization, and humbug. To be perfectly frank, I was somewhat ambivalent myself: The relentless onslaught of the British tabloid press is difficult to resist, try as one might. It’s a juggernaut.So let’s get the clothes and their messaging out of the way first: Prince Harry, stripped now of his uniforms but embracing the Montecito lifestyle in dégagé J.Crew; Meghan channeling the Duchess of Windsor in a pregnancy-appropriate Giorgio Armani triple-silk-georgette dress with an abstract-print splosh that apparently represented lotus flowers (symbolizing “enlightenment, self-regeneration and rebirth,” as Town & Country assured me). She accented the dress with a trio of aquamarine teardrops from Pippa Small that she’d previously worn in Tonga during the couple’s 2018 tour—when she proved to be such a popular, telegenic whizz at the job that the Institution (the palace administrative infrastructure—or was it the Firm, the royal family and key courtiers and advisors?) apparently balked and the problems began—and a diamond tennis bracelet that appeared to have been the one that had belonged to her late mother-in-law, whose own star turn in the antipodes in 1983 similarly signaled the beginning of the end of her own very short-lived honeymoon with the Firm and indeed her husband. (See The Crown, season three, episode six, Terra Nullius.) Meghan, Duchess of Sussex, finished it all off with fiendishly vertiginous Aquazzura stiletto heels that seemed ill-suited to the manicured lawns of the neighboring friend’s garden where the trio found themselves, shaded by a verdant brick pergola from the glorious California light, but perhaps were intended to suggest that the wearer was not to be trifled with. The Duchess of Windsor, I was reminded, had the soles of her shoes polished in case they were revealed when she crossed her ankles.And then the interview began. Five minutes in, after some airy persiflage (“Does one Google ‘how to curtsy’?” asked Oprah playfully), the bombs started exploding, dampish squibs in the beginning. Petty, thought I, when the Duchess of Sussex assured us that it was the Duchess of Cambridge who had made her cry and not vice versa as was widely reported at the time: Surely emotions always run high in the lead-up to a wedding and many tears have been spilled over bridesmaids dresses. Perhaps both ladies cried? “She has apologized,” said Meghan, “I have forgiven her.” I clenched my buttocks at the thought of the Duchess of Cambridge’s reaction to that nugget of magnanimity.Oprah gave a master class, and so did Meghan, who is, lest we forget, a practiced thespian. Anyway, her timing is flawless. “Were you silent, or were you silenced?” quizzed Oprah. Pregnant pause, perhaps even long enough for another endless commercial break. “The latter,” said the duchess, looking Oprah, or was it the camera, square in the eye.I soon had to start writing the quotes down as my mind was being blown. Blown. You must remember that this is a boy who grew up praying for the queen and the royal family during morning assembly at school and still instinctively jumps up like a jack-in-the-box when I hear the strains of the national anthem.“I just didn’t want to be alive anymore.” At this point I’m nervously clutching pearls.“I’m not going to live my life in fear…. I don’t know how they could expect that after all this time we could still be silent if there is an active role in perpetuating falsehoods…. Not only was I not being protected, but they were prepared to lie to protect other members of the family.” Lunging for the smelling salts.But when the Duchess of Sussex deftly elided an unnamed family member’s queries about her child’s skin color with the stripping of a princely title and ergo security protection—hence the couple’s need to flee—I darn near lost it. Incendiary. (Oprah later offered the disclaimer that it was neither the queen nor her gaffe-prone husband, the ailing Prince Philip, who raised the issue of skin color.)Two hours later I felt as though I were listening to escapees from a Scientology-type cult.****In the lead-up to the Oprah interview, the palace implemented an exceedingly gauche counterstrategy, launching an inquiry into whether Meghan bullied her staff, that was enthusiastically championed by the press. I wonder if any of them believe that Prince Philip and his children have never berated their staff, driven them to tears or even to quit. Perhaps the palace’s efforts would have been better focused on investigating the truly explosive claims about the queen’s beloved son Prince Andrew, who might politely be described as feckless and has reportedly so far declined to cooperate with the U.S. Department of Justice in its ongoing investigations around the nefarious goings-on of the late Jeffrey Epstein.Two days later, the Firm somewhat redeemed itself with the elegant sobriety of its official response: “The whole family is saddened to learn the full extent of how challenging the last few years have been for Harry and Meghan.” But there is clearly a lot of work to be done.Harry was right to mutter about the “colonial undertones” of the coverage of his fiancée and later wife. (And Harry should know something about colonialism: When he served in the British army, rising to the rank of captain, he himself was involved in two operational tours during the occupation of Afghanistan.) Harry, whose teenage fancy-dress choices have not always erred on the side of political correctness, seems genuinely to have opened up to the realities of racism through his relationship with Meghan.From the beginning, the viciousness of the British press, tabloid and otherwise, was astounding to me.In 2017, the Daily Mail, featuring Harry and Meghan’s touching engagement picture on the front page, saw fit to run the headline from their columnist Sarah Vine (wife of the politician Michael Gove, who twice ran unsuccessfully for leader of the Conservative Party): “Yes, they’re joyfully in love. So why do I have a niggling worry about this engagement picture?” (Webster’s defines the word niggling thus: “bothersome or persistent especially in a petty or tiresome way.” Nevertheless, the word seemed a surprising choice and jumped from the page, as presumably it was intended to.)I’d already had a run-in with the machinery of the British royalty-covering press corps when I was dispatched to Nepal in 1993 to cover a visit of Prince Harry’s mother, Princess Diana, to a series of leprosy missions there for one of my first Vogue assignments. Patrick Jephson, the princess’s appropriately courtly private secretary, had practically begged us not to go, explaining that with the pool system (whereby one or two photographers or journalists would be picked to accompany the princess on some of her visits and would subsequently pool their images or writing with everyone else) we would never have access to the princess. Anna was hearing none of it, so off I was sent into the lion’s den.I arrived in the Vogue-branded cap that, to my deep mortification, Anna had insisted I wear to discover that there were literally hundreds of royal correspondents and hardened photographers, in addition to my good self, photographer Dewey Nicks, and his assistant, the very existence of whom was considered comical by the rest of the press corps, who soon dubbed us Hewey, Dewey, and Louey. In our caps we did look like a trio of ducklings. We were all marshaled in an unruly throng behind stanchions at the airport to document the arrival of the princess when she landed. Princess Diana stepped off the plane in sky blue pleats, turned her back on us, and turned instead to be greeted by the kumari, or child goddesses, lined up to meet her. Unfortunately, as we soon discovered, the infamous Squidgy tapes—illicit recordings of the princess’s exceedingly intimate telephone conversations with Major James Hewitt—had been released that morning by The Sun, and the princess was not in the mood to play ball. In fact, unspoken pact with the tabloids shattered, she turned her back on the press corps for the entirety of the trip so that no one could get a single usable image. The atmosphere in the press canteens was not, let me tell you, jovial. The princess, incidentally, only let down her guard once. On about day four or so, she was seated outside a hut in a leprosy community in the distant hills that had taken us hours to reach, communing with some medical professionals and village elders. She looked up for a moment, saw our Vogue caps among the jostling throng of paparazzi, and laughed. We got our cover image. I digress.Thirty years later, the British tabloid press appears unsoftened. The morning after the Oprah interview was aired in the U.K., the royal correspondents and pundits—pretty much all white, middle-aged, and caught in a dance to the death with the Firm, as Prince Harry suggested—sprang predictably to vocal life. ITV’s incendiary Piers Morgan has since resigned after backlash over his claims that no one could believe a word that sprang from Meghan’s lips. The Daily Mail’s Richard Kay protested that the Sussexes’ “implication that our island nation is a country where racist attitudes flourish is a travesty,” a statement that may give pause to many of my country’s Black and brown citizens. Might I suggest the artist-filmmaker Steve McQueen’s Small Axe—a magisterial quintet of movies about the so-called Windrush generation of Afro-Caribbean immigrants—as a useful primer? The Empire Windrush landed at Tilbury Docks in 1948, and McQueen’s 2020 oeuvre might be the first time that these stories have been told on the BBC.The Daily Telegraph’s Allison Pearson, meanwhile, dubbed the interview “a devastating act of lèse-majesté.” “I’m sure that this profoundly polarizing interview will be a big hit with Americans and with the younger generation which sees ‘speaking my truth’ as fabulous personal empowerment,” she wrote. “Older British viewers may find their toes curling. And their lips.” That’s a really loaded piece of toast, as Oprah might say (and did, to my absolute delight). Perhaps these are the same aging Britons who inflicted Brexit on younger and future generations, clinging to the myth of Britain as a doughty island nation with an empire and an unshakeable royal family. Anyway, don’t get me started.Let’s get back to Meghan’s frocks!There was a time in the living memory of Britain’s monarch when the greatest threat to the crown was seen to be embodied in the trim person of Wallis Warfield Simpson, another American divorcée with a complicated back story and fastidious taste. She and the Duke of Windsor, future King Edward VIII, made spiteful fun of the duke’s sister-in-law, the sweet-faced Duchess of York, calling her “Cookie” in reference to the scurrilous rumors that her mother was the French cook at her childhood home of Glamis Castle. When Edward VIII abdicated the throne “for the woman I love,” he thrust his stuttering, ill-prepared younger brother into the role as King George VI, and his wife, the former Duchess of York, became Queen Elizabeth. She would come to exact her revenge, blaming the Windsors for inflicting the pressures of the job on her husband and ultimately for driving him to an early grave at the age of 56. (The king, who was a very heavy smoker, died of coronary thrombosis.) Their daughter Princess Elizabeth ascended to the throne and, as we all know, has devoted herself to the sacred vows that she made at her 1953 coronation and to the soul-destroying litany of events that make up the royal year with unimpeachable diligence and dignity for nigh on 70 years.The Duchess of Windsor’s embrace of maniacal chic seems to have made the royal family flinch from the very notion. So the idea that the Meghan appears to have modeled her formal looks on the Duchess of Windsor’s tailored perfection (Wallis wore Mainbocher and Schiaparelli, Dior, and Saint Laurent; Meghan wears Roland Mouret, Stella McCartney, and of course Clare Waight Keller for Givenchy) and her off-duty looks on, well, the late Diana, Princess of Wales, seems like some sweet sartorial revenge.But the resemblance to the two ladies themselves is, of course, tenuous. When Lady Diana Spencer met Prince Charles, she was a woefully undereducated virgin raised on almost Victorian principles in an aristocratic household with an inborn reverence for the crown. When Meghan met Harry, she was a sophisticated woman with a career, life experience, agency of her own, and apparently had no idea what she was getting into. (Curtsy? But she’s your grandmother?)Despite the constraints of her early years with the Firm, Diana, perhaps almost miraculously, grew into an extraordinary woman with a preternatural gift for empathy and compassion. The Duchess of Windsor was an elegant flibbertigibbet who had a soft spot for Hitler and dangerous walkers. The British establishment saw to it that during the war the Windsors, deemed a security risk, were shipped to what they considered an ignominious posting in the Bahamas. The duchess commissioned the decorator Mrs. Winthrop Curtis Bradley to make over the governor’s mansion in Nassau in a modish version of navy and white Caribbean chic and ordered shantung frocks from Mainbocher to match. After the war, they were exiled to a café-society existence in Paris. The sharp-tongued Washington chronicler Susan Mary Alsop wrote to her friend Marietta Tree in 1945 about a meeting with the Duke of Windsor, noting that he had spent the day watching the duchess buy a hat, been driven to the bois to see some American soldiers play football, and returned home to find the duchess in the middle of her French lesson. “He is pitiful,” noted Alsop. “I never saw a man so bored.”

I Get It, Girl – I’m Not The One Shirt, hoodie, tank top, sweater and long sleeve t-shirt

When Prince Harry and Meghan Markle announced their decision to step back from the I Get It, Girl – I’m Not The One Shirt What’s more,I will buy this royal family, The Sun plastered a portmanteau in its sensational headline: MEGXIT. (That’s Meghan, plus Brexit.) Within a few days, the term was everywhere. It was in the global papers and a trending hashtag on Twitter. It was on mugs, T-shirts, and iPad cases sold on Amazon. It was in the dictionary—the Collins English Dictionary named it one of 2020’s words of the year. It even got its own Wikipedia page (complete with its own section on etymology).On a surface level, Megxit was just some wordplay that, thanks to its clever combination of current events, developed cultural, even comical, cache. (Who didn’t laugh at Brad Pitt’s Megxit joke at the BAFTAs?) Yet it contained an innate, misleading implication: that it was Meghan who was solely responsible for their royal departure. “The use of Meghan’s name has been taken in some quarters as identifying the Duchess as the instigator of the withdrawal,” Collins explained. Just this month, in fact, an anonymous source told the Times of London that the Duchess of Sussex had ulterior motives: “She wanted to be the victim because then she could convince Harry that it was an unbearable experience and they had no choice but to move to America,” they claimed.During the couple’s recent tell-all, Oprah With Harry and Meghan, Oprah Winfrey addressed this Megxit narrative  by showing a barrage of headlines and TV interviews that “blamed Meghan for the decision.”This pervasive viewpoint was said to irk Harry. Why? Because, as we know now, he was the one who made the final call.The duke’s unhappiness with royal life, as well as his ultimate choice to retreat from it, first surfaced last year in Omid Scobie and Carolyn Durand’s book, Finding Freedom. Then, the duke confirmed it in person last month to James Corden, calling his situation “toxic.”“I did what any husband and what any father would do—I need to get my family out of here,” he told the talk-show host.He then stressed again to Oprah that it was his choice to leave the monarchy, rather than his wife’s. The duchess explained further: “He ultimately called it—he was like, ‘We’ve got to find a way for us,’” Meghan said. Then she thanked her husband: “You made a decision that certainly saved my life. And saved all of us.”So, yes, the adage of “it takes two” seems to be accurate in the case of Meghan and Harry. Why, though, did it get so twisted?